I know the passionate lover
 of fine style exposes himself
  to the hatred of the masses;
   but no respect for humanity,
    no false modesty, no conspiracy,
     no universal suffrage will ever
      force me to speak the unspeakable
       jargon of this age, or to confuse
        ink with virtue… but this morning
         I was so rash as to read some of
          the public newspapers; suddenly an
           indolence of the weight of twenty
            atmospheres fell upon me, and I was
             stopped, faced by the appalling use
              lessness of explaining anything what
               ever to anyone whatever.

Charles Baudelaire,
draft preface (unpublished)
second edition, Les Fleurs du Mal
(Flowers of Evil), 1861.¹

Nonfiction
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FEATURE
CRITIQUE
REFLECTION
Twenty years ago this year, for the first time in
US history, an art museum was put on trial for obscenity. This article takes an unpleasant trip down memory lane, and argues that we are possibly facing a worse cultural crisis today than
we were then.
Twenty years later: Mapplethorpe, art & politics
by Daryl Champion
Column writer Eugène Satyrisci muses on the culture industry and manufactured opinion, and throws down the gauntlet to readers to assess where they stand in a society that has lost its
sense of identity.
Lucifer and the light of passion
by Eugène Satyrisci
SDk01’s featured writer, Colorado-based Anne Tourney, turns her hand to explaining the allure fetish writing has for her. In so doing, she demonstrates how a fiction writer can use language to produce other forms of writing as elegant and descriptive as fiction.
Beautiful failures: why I write fetish fiction
by Anne Tourney
nonfiction
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