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. . . continued

2009, almost any image would suffice. British tabloids inundated their readers with photographs of Elisabeth as she was before her imprisonment,7 and even featured voyeuristic images of her older sisters when Elisabeth was some ten years old.8 The Daily Mail in particular proved itself willing to publish portrait shots of the “upstairs children”, sometimes with the same photograph used for both Lisa and Monika, and on at least one occasion – on the same day – with Monika repre-
sented by photographs of differ-
ent children.9 “Frenzy” is indeed not an inappropriate word; the desperation is palpable in a Sun story as early as 1 May 2008, which helps shed light on the media siege that would grip Amstetten–Mauer psychiatric hospital within days: together with quintessential tabloid pop-
ular vernacular, the red-top printed an artist’s sketch, “from witness reports”, of a “haunting image of cellar mum Elisabeth”.10 Thus, it is not surprising that a note of indignation and outrage is discernible in a Sun story two weeks later that announced the removal of Elisabeth and her children from the psychiatric hospital to a “secret location”: the caption below the

oft-printed image of a fifteen-year-old Elisabeth described her as “hiding”.11

Although the Fritzl children’s location obviously did not remain a secret for long, at least not as far as the Sun was concerned, a few weeks after the red-top’s spread, on 11 March 2009, the UK mid-market national tabloid, the Daily Mail, revealed the name of the village where Elisabeth and her family were living; the area was soon “crawling with photog-
raphers”, which led Austrian officials to “plead…with the media to stay away” and the family’s therapists to pronounce that publishing photographs of the victims “could make a full recovery impossible”.12 The trial of Josef Fritzl was due to begin on 16 March; Elisabeth and her children were forced to move back into the psychiatric hospital where they were treated after their liberation. During the trial, police imposed no-fly zones over the courthouse and over the hospital to prevent photographers using helicopters to obtain aerial shots.13

In giving evidence to the House of Commons Culture, Media and Sport Committee on 23 April

2009, the editor of the Daily Mail, Paul Dacre, pleaded an absolute ignorance of the news feature that named the location of the Friztl’s new home, but neverthe-
less referred to the pressures of modern mass-media production. Dacre subsequently sent written evidence to the committee out-
lining the circumstances of the offending news feature; in this evidence he took it upon himself to speak not just for the Daily Mail, but, explicitly, also for the entire British media in alleging a lack of awareness “over the sensitivity of this matter”.14

Dacre’s statement was extra-
ordinary considering the high international profile of the Fritzl story, the prominence and the consistency of the sensationalist coverage his own newspaper had given the story, and Josef Fritzl’s impending trial at the time of the feature in question. It was also extraordinary considering Dacre’s position as the chairman of the UK Editors’ Code of Practice Committee, the body that produces the Editors’ Code of Practice, a document that is meant to govern the ethics and professional behaviour of the British press industry. Together, the Sun and the Daily Mail, among

other British titles, appear to have committed multiple violations of the Editors’ Code, particularly those clauses dealing with privacy, harassment, intrusion into grief or shock, children, children in sex cases, hospitals, and reporting of crime.15

Undoubtedly, the media had bestowed a dark celebrity status

on the Fritzls with no motivation other than a commercial one. While UK tabloids, and tabloids
in general, were not the only offenders, those who relentlessly pursued the Fritzls displayed what can be termed “classic” tabloid behaviour in sparing little expense or device to clinch the scoop that would earn their title or media organisation wide-
spread international exposure and extremely lucrative returns.16 They were prepared to do this

those who relentlessly pursued the Fritzls displayed what can be termed 'classic' tabloid behaviour

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The tabloid ecosystem and crimes against society (ii) - Nonfiction - SDk02

Issue Credits

Footnotes:

7 See, for example, Nick Parker, “Agony of trapped Elisabeth”, Sun, 29 April 2008; Daily Mail, “Sex slave dungeon: Prisoner children are afraid of the colour blue, rustling leaves and mobile phone ring tones”, 3 May 2008; Gary Nicks, “Back-from-dead girl will nail cellar dad – docs to rouse coma teen”, Daily Star (UK), 22 May 2008. UK tabloids were not alone; see, for example, the News Corp-owned Daily Telegraph (Australia), “First picture of Elisabeth Fritzl”, 28 April 2008.

8 Daily Mail, “Pictured: The lucky Fritzl daughters allowed to go on holiday while sex slave Elisabeth was forced to stay at home with monstrous father”, 6 May 2008.

9 See, for example, Daily Mail, “Pictured: inside the cellar where father locked daughter for 24 years and repeatedly raped her”, 28 April 2008; Julie Moult & Michael Seamark, “Incest father had been jailed for sex assault, but how did he fool the authorities?”, Daily Mail, 29 April 2008; Michael Seamark, “The disturbing little homely touches from the children who never saw the sun”, Daily Mail, 29 April 2008; Julie Moult, “Revealed: dungeon fiend Fritzl sneaked incest daughter out of cellar for treatment while his wife was on holiday”, Daily Mail, 15 May 2008.

10 Sara Nelson, “Fiend faked daughter’s voice”, Sun, 1 May 2008 (see also the confused images of Elisabeth at fifteen and the artist’s sketch in Daily Mail, “What sex slave dungeon daughter looks like now… 24 years after being locked in a cellar”, 1 May 2008). The Sun was a pioneer of the tabloid press’ use of popular vernacular (Anita Biressi & Heather Nunn, “Origins, definitions and debates: talking about the tabloids”, in The Tabloid Culture Reader, eds Anita Biressi & Heather Nunn, Maidenhead: Open University Press, 2008, p. 9). For a former tabloid columnist’s insight into the general principals of the style of language used by the tabloid press, see Simon Heffer, “Strictly English by Simon Heffer: Part Three”, Telegraph, 2 Sept. 2010. For a brief explanation of the terms “tabloid”, “red-top” and “broadsheet” and their application to the sensationalised news coverage of the popular press on the one hand, and the “serious” journalism of the “quality” press on the other hand, see note 2 in this feature’s companion piece, “Max Mosley’s war for privacy is now a nation’s”, in this issue of SomethingDark.

11 Sun, “Fritzl family in secret location”, 16 July 2008. As a point of comparison with the tabloid behaviour under scrutiny here, is the conduct of the UK national broadsheet, the Guardian, whose coverage of the Fritzl case was mature and, importantly, did not feature images of Elisabeth Fritzl or her children (confirmed by the Guardian News & Media Press Office, pers. comm., 24 & 26 Aug. 2011). Declining to publish such images was in accordance with the Guardian Media Group’s in-house editorial code, which in its 2007 edition referred to the UK Editors’ Code of Practice (Guardian Media Group, Guidelines: The Guardian’s Editorial Code, April 2007, pp. 2, 8).

12 Greg Milam, “Hounded: Fritzl girl’s hideaway revealed”, Sky News, 20 March 2009.

13 Veronika Oleksyn, “Fritzl pleads guilty to rape, but not murder”, Independent, 16 March 2009; Tony Paterson, “Herr Fritzl, can you just answer one thing – why?”, Independent, 17 March 2009.

14 Paul Dacre, oral evidence presented to the UK House of Commons Culture, Media and Sport Committee on 23 April 2009, and “Supplementary written evidence submitted by the Daily Mail” (House of Commons Culture, Media and Sport Committee, “Press standards, privacy and libel”, second report of session 2009–10 (vol. 2: Oral and written evidence), QQ576–84, p. 154; and pp. 157–8). Dacre is also editor-in-chief of Associated Newspapers, the national newspaper publishing arm of the Daily Mail and General Trust (DMGT) corporation, of which he is a director.

15 See the text of the August 2007 edition of the Editors’ Code of Practice, maintained on the website of the UK Society of Editors: Press Complaints Commission, Editors’ Code of Practice (Aug. 2007), clauses 3, 4, 5, 6, 7, 8, 9(ii). Clauses 3 and 4 were amended in October 2009 in ways designed to make the press marginally more accountable on some points; however, the 2007 version of the Editors’ Code was very clearly flouted in the Fritzl case. Dacre resigned his position at the Press Complaints Commission in March 2008 to commence his tenure as chairman of the Editors’ Code of Practice Committee in April 2008. The PCC is the UK press industry’s self-regulatory body.

16 For an indication of the celebrity status bestowed on Elisabeth Fritzl in particular, and the commercial potential of such status, see a sample of search results of stories published by the UK’s Daily Star red-top and the Daily Mail tabloid: Daily Star site: “Elisabeth Fritzl” (results of search conducted 25 Aug. 2011); Daily Mail site: “Elisabeth Fritzl” (results of search conducted 26 Aug. 2011).

Contributors: Alan Daniels Chris Cook Daryl Champion Eugène Satyrisci Geof Banyard Jenny Boot Kedamono Marilyn Jaye Lewis Viona Ielegems
Resources: Bureau of Investigative Journalism Campaign for Press and Broadcasting Freedom (CPBF) Steve Keen’s Debtwatch